Send Music to DJs. Use DropTrack to send your tracks to the biggest international DJs. They can download your music in the high-quality WAV format they need for club sound systems, and you’ll receive their feedback and support in real-time. To use Spotify to DJ at a party, start by signing up for a Spotify Premium account so that your music won’t be interrupted by ads. Next, download the Spotify program for your computer to get better sound quality and use it to create a playlist. KraMixer can mix DJ music from MP3, OGG and Wav file formats. It provides a large number of shortcut keys and some of the useful features, such as: Sync, loop, recording, Effects, pitch, etc. It supports file drag-n-drop feature and provides many effects settings. Cs go warzone download. It is a small DJ music mixer software with setup file. If you are planning to start a DJing career and your budget is a bit strained, here are some of the best free DJ software platforms you can download and test out right away. Serato DJ Intro. Serato DJ Intro is a free software that is compatible with PC and Mac while delivering excellent mixing experience even with the available features. The basic setup includes four decks complete with.
3400+ words in my in-depth guide to create the best DJ set. How to filter your playlists, group tracks, add memorable surprises to your set list and more!
So you think you can mix? Great but can you DJ? There’s a lot more to DJing than just beat-matching! Do you know how to build the best DJ set?
You have the power to create a vibe, take your audience on a musical adventure and make memories. So you’d better be prepared.
This article will tell you exactly what you can do to create the best DJ set and how to curate the ultimate playlist to win the crowd and be remembered!
So lets get started.
Table of contents
This is most definitely what you need to think about first. There’s no point creating what you think is the best DJ playlist ever just to discover its really not what your audience were after. This applies to any kind of DJ whether you’re in a nightclub, a bar, a wedding reception or someone’s birthday party.
There are some important things to think about first.
What venue will I be DJing in?
Whether you like it or not certain musical venues expect certain styes of music. For example if you’re DJing in a wine bar your audience expect music they can talk over. If you’re DJing in a mainstream club people expect some tracks they recognise. If you’re DJing in a hotel function room you’ll probably want to keep the intensity of your tunes down a notch or two.
Venue size, acoustics and its primary purpose all play a part and people tend to want their expectations met in those environments. Virgin mobile free spotify. While you may prefer to bang out some anthems you could find you don’t get the response you were hoping for if you haven’t read the room correctly.
What time will I be DJing?
Playing the right music at the right time is vitally important, again this helps meet expectations that you have no control over. Your audience are in control of that one! Huawei y330-u01 unlock simcard code free download.
For instance if you’ve been given a time-slot in a night club, the type of set people will want at 10pm be wildly different to the one they want at 3am. Generally nightclubs like to build up the intensity during the evening and keep the crowd energised right to the end. This isn’t as easy as it sounds.
The most memorable sets ever performed by world class DJs are often because they knew exactly what to play and when to play it.
How long is the gig?
Another important factor not only for selecting the right number of tunes but also to curate the vibe throughout the set. Here’s an easy format to build your sets based on duration
- 10-30 minutes – Launch right in, make an impact with your musical genre, short and tight mixes and cuts
- 30-60 minutes – Open with something special, build the energy up over the first 30 minutes, maintain for 10-15 minutes, end with something memorable and different
- 60 – 120 minutes – Ample time to build up and switch to new styles or tease the crowd over the first hour and let it rip in the 2nd hour
- 120+ minutes – Energy levels will peak, plateau and possibly drop during a long set so be prepared to re-invigorate the crowd and throw in plenty of surprises along the way.
This of course is just a rough idea of what you could do but generally these formats work best. Its tried and tested by plenty of world class DJs and if you analyse the sets of most big DJs you’ll often see this pattern over the course of their time-slot. I’ll explain more about this in another chapter.
So now you know where you’ll be playing and probably have an idea of the style you’ll be playing. Its time to filter your library of tunes down to just those you’ll actually need.
There’s a number of useful methods to start filtering but first some preparation
Make sure all your tracks have full meta-data available. This includes BPM, key, musical genre and rating.
I always rate every tune in my record box. https://cleveryoutube119.weebly.com/blog/spotify-premium-free-android-tutuapp.
The rating is partly based on personal taste but also based on how I think the crowd will react to it. The more stars the bigger expected reaction. 5 stars will likely send the crowd into a frenzy, 1 star will still be enjoyed but likely have less impact. Think of it like an intensity rating.
With this data you can now filter your library.
Start by BPM. Unless you’re mixing multiple genres its wise to pick tracks within a given beats-per-minute range. A max of 10 BPM higher or lower than your base level. That doesn’t have to be your first tune’s original BPM if its forcing other tracks in your set list to be played at 8% or higher. Just make sure you play all your track in a positive or neutral speed.
Musical genre is next. You can pick multiple genres of course but in order to select tracks that compliment each other![Spotify music free download Spotify music free download](/uploads/1/3/3/8/133867648/138195063.jpg)
These two filters will reduce your library down to a manageable amount that you now start picking tracks from and experimenting with mixes.
Wondering which DJ software is best to store your library in? Check out this article on our site comparing Serato and Traktor DJ software.
Know your tracks inside out. The more you play them the better you should know them so play the tunes in their entirety without mixing. You’ll get to understand their length, potential cue points and parts you can loop too.
Group your tracks
Now its time to find other tracks that compliment it.
I tend to pick at least 2 other tracks that I have a feeling would work well. This “hunch” is usually based on having played the tracks a lot and knowing them well. The more you play them the easier this grouping will be.
Jump to near the end of one track and start mixing in a cue point from 1 of the other tracks you think will compliment it. While you should know how to beat match feel free to hit sync and make life easier for yourself right now. You’re just interested in hearing what sounds these 2 tunes will blend like when mixed.
You’ll soon discover what beats work well together, what low and mid frequencies compliment or clash. Most modern DJ software has a “comments” column in its library, make use of the comments section and store any notes as you go. This is especially useful if you’re adjusting the key of a track to match another. A note like “Set key to 2.49 to match track X” can save you lots of time hunting for the right setting during your DJ set.
Remember you can create groups of 3 songs that contain tracks from other groups. In fact this is beneficial. I’ll explain why shortly.
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Order your tracks in the playlist
Cmi9738 audio driver free download. Now comes the crucial part. Putting your tracks in order for the perfect DJ setlist.
You’ll probably notice that not all tracks are great show openers, or closers for that matter. Some tunes work best when mixed in from other tracks and out to others, while some tracks set the perfect tone and vibe that can really get your set off to a good start.
Its often the most difficult to start and end a set, you’ll want one good punchy opener and generally a few options to close on, sets can over-run or be cut short for a multitude of reasons so your end needs to be flexible. But your start is crucial!
In some of your groups of 3 there should be some tunes that have atmospheric openings, or at least have a break that you could loop, add effects to or even edit to create that perfect start. You can use all sorts of tricks to get the show started. Here’s a few.
- Pick a track that doesn’t start with beats
- Start the track from a cue point
- Add effects to the start that make your opening track different from the original (use delay, reverb, flange or filter)
- Loop part of the track with added filters, then remove the loop and off you go!
- Start with an a cappella and bring in beats from your next track at just the right moment (usually the chorus)
- Create sound effects, your own vocals or spoken words to open with, then drop the beat when the moment’s right
After your opening track
Now its time to add more tracks to your set list. This is where your groups come in, especially those with songs that feature in more than one group.
Add your groups to the playlist and where songs feature in multiple groups, put those groups one after the other. This is the quickest way to build up a picture of how your DJ set will flow. From this you’ll know that with this order the tracks should compliment each other well.
But that doesn’t mean this is the best order.
While you want tracks to work well together you also want to do something a little different.
For some great examples of putting together the perfect set list check out our exclusive mixes on The Top Show.
If your set was just these complimenting groups back to back then your mixes will be largely be smooth and possibly a little dull. Not because the tracks you’ve chosen are poor quality but because people need surprises! Memories are forged when the unexpected happens.
Think of every major DJ set you’ve witnessed, what stands out? Was it the silky smooth mixes and seamless tunes or was it the tune they dropped that sent the place in to a frenzy and had everyone on their feet begging for more?
Adding a little spice to your play list is what is most likely to create memorable DJ sets so take another look at your library. Here’s a few pointers to get you going.
- Pick tracks from different musical genres but a similar tempo. This helps keep the rhythm but completely surprises the crowd.
- For house music try adding a classic soul or disco track in the middle of your mix. Especially if its been covered recently by a producer
- Add one or two tracks from 5 – 10 years ago. Something people know but haven’t heard in ages. This never fails!
- Add an a cappella of a well known track to your ultimate DJ playlist. Then build up the percussion and beats to really get the crowd singing along
- For drum & bass sets, try dropping an old school hip hop track in your playlist, the BMP is roughly half a drum and bass tune so is easy to keep the rhythm.
There’s plenty of other ways to surprise your audience but these are good place to start. The more creative flare you can add to your playlist the more memorable it will be.
Crowds love the unexpected but think carefully about how it will fit in with the rest of your set. Use the surprise elements carefully and don’t overdo it. Be careful not to lose the flow of your set, it can be hard to recover if you don’t get it right. I would argue the mixes around these surprise elements are the most important of all.
When you get it right these moments in your playlist can transform a set from being good to being awesome!
Chapter 5:Create hot cues, looping cues and markers
Selecting your tracks is only part of creating the best DJ setlist. Once upon a time that was enough to impress a crowd. With DJ hardware taking creativity to a whole new level you can do so much more these days and you’ll want to make use of it.
What are hot cues?
Rather than just having a starting cue point on a track, modern DJ software will let you set multiple cue points which are commonly called “hot cues”. These allow you to instantly jump to the cue point and continue playing from there. You can effectively remix any track live.
Be sure to have at least 4 hot cues set up. One at the start, 2nd when the vocals kick in, The 3rd when the first break starts and the 4th when the track is near to ending. This is a minimum and will allow you to play around around the length of time it takes to mix in the track and start the first break. You no longer need to make sure the two tracks 4-beat structure match.
Its usually possible to have up to 8 cue points so make sure you set them on every track. They’re especially useful for marking moments where melodies come in or out, where vocals start, where choruses start and where multiple breaks start and end.
What are loop cues?
These are much like hot cues except they are preset loops with a start and end point. This allows you go get super creative by jumping and starting a loop. Now you have a never ending track with a useful vocal or percussion loop.
You can then mix in your next track in the playlist, or maybe an acapella vocal track, or add some effects to create a new sound. Loop cues give you the chance to get creative without worrying about the track ending. It also helps you extend the time you have to mix in to the next track. Gone are the days of running out of beats to mix from, now the beats continue to roll until you bring the fader down.
Here’s a quick video from Native Instruments showing how loops can enhance your mixes.
What are markers?
These are less useful but handy at a glance. Some DJ software lets you add markers to your track. While you can’t usually jump to them seamlessly they are a visual notifier of when things happen in a track. So you’ll know how far away a new melody may be or when verse 2 or 3 starts.
Whatever tools your DJ software and hardware gives you be sure to play every track thoroughly, analyse where the best place is for your hot cues, loop cues and markers. Download album spotify iphone.
Now that you have your tracks are in roughly the right order, with some surprises in there too. Your cue points all set up and every track throughly analysed, its time to practice your set.
Before you get going here’s some DJ tips to help make the best use of your time
- Make notes as you mix, add comments to the tracks in your library if you want to. This could be certain sounds to listen out for or notes on the best moment to mix.
- Adjust hot cues if you feel their positions didn’t help you mix as well as you could. You can move them to best sync the two tune’s structures for the perfect mix.
- Mix with sync mode on, you’re not worried about beat-matching right now, you’re analysing when to mix in each track so keep the workload light.
- Stop a track if you need to, try another in its place if you feel its not working. Adjust your playlist as you go.
- Repeat your set list from the start multiple times until you know the tracks are in the right order
- Experiment with effects and loops to enhance a DJ set list. Don’t over-use them but do try and create new sounds now that you’re confident your tracks are in the perfect structure
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Practice makes perfect and great memorable DJ sets don’t happen by accident. So the more you practice a DJ set the more you’ll understand what works, what doesn’t work and what you need to do to improve it.I’d recommend setting aside a decent amount of time to do this all in one day. This will keep the mixes and tunes fresh in your head and help you analyse the entire set in a more efficient way. Of course there’s no harm in repeating your practice sets before the big gig. By the time the big day comes you’ll know the set inside out.
Advanced techniques
I highly recommend you read this article on advanced DJing techniques to really make the most of your new setlist. It’ll really help you boost your sets and make the most of your chosen tunes.
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You’ve mastered your mixes, now its time to get a little more creative!
If you’re using DJ software or hardware that allows one-shot and looped samples then I highly recommend you load these up and start playing around with them during your set. There’s plenty of ways these can enhance a set and add a whole new layer to your tunes.
There are two main types of samples that work best.
Percussion loops
These are fantastic for remixing a track on-the-fly. You can get these online and in packs from vendors like Native Instruments. You could even create your own. Sync up the BPM with your master track and add a percussive layer to the track thats playing.
I recommend keeping the volume level below that of the master track, you’re trying to add audio texture to a professionally produced song, not overwhelm it.
You can buy and sometimes download for free percussive loops and many other samples from places like Looperman or SamplePhonics. While you can also get melodic loop samples remember these will need to fit the key of the track you’re playing. If the key doesn’t match it can sound pretty bad so be careful. Control system simulation software.
One-shot sound effect samples
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These don’t work as loops but can be awesome soundscapes and effects that add a bit of intensity or atmosphere to a track. The most obvious one-shot sound effects are drums, cymbal crashes and familiar sounds (think laser beams and alarms!) but really you can get much more creative than that.
One shot samples can also be vocals, swirling sounds that pan left and right, pads and other audio textures that fade out or end rather than looping. You can add even more to these by introducing effects and filters with your DJ hardware. Check out the Demo Samples on this sample pack from Loop Masters for a good idea of what you can get.
Take a look at this pack of loops and one shots, perfect for house and techno DJ set lists.
https://cleveryoutube119.weebly.com/blog/free-spotify-hq-comboes. Saving the best until last. This is by far the most important tip I have for you when creating the best DJ set list.
You are in control of your crowd, you can dictate their energy levels, their mood, their emotional connection to the music you are playing, so you have a duty to take them on the ride of their life with your DJ set.
Its not easy but mastering this skill is without doubt the number 1 priority for any DJ, whether you’re a beginner or an experienced DJ.
So its not just about finding great tunes that work well together. Here’s some pointers.
- Think about how you can build up the intensity through the entire DJ set.
- Listen to how the style of the tracks in your playlist evolves from track to track.
- Does a particular tune help transition from one vibe to another?
You can also use your surprise elements and tracks as a way to book-end a particular “chapter” within your set. Helping you to change the atmosphere and transition in a memorable way to a different style, tempo or musical genre.
The longer your DJ set the more you get to play with this journey, building up, bringing down, changing style, linking a soundscape together. This is definitely the skill many DJs lack but something you’ll always notice the world’s most talented DJs are absolute masters of.
Think of your DJ playlists a puzzle. Adding each piece to the puzzle builds up a bigger picture. A narrative that people will remember.
If you want a great example of this then take a look at world class DJ Carl Cox in the mix with 4 decks. Plenty of loops, effects, samples, soundscapes and above all a finely curated playlist.
Now its your turn
There’s plenty here to get stuck in to that will help you approach DJ set list building in a whole new way.
Remember to know your music from start to finish https://boardspowerup.weebly.com/blog/download-tuneup-utilities-2007-full-crack. , analyse thoroughly and make sure your library is filled with markers, hot cues, loop cues and comments so you’re ready to mix any track in your box.
Group your tracks in to complimenting sets of 3s and build your play list up.
Remember to throw in a few surprises to make your set memorable
Add custom loops and samples and master the use of effects to create entirely new sounds and live remixes.
I recommend you also read my article with 31 ways to improve DJ skills as it gives you many more great pointers to create the best DJ possible.
Now read these
Music comes in many different types and styles ranging from traditional rock music to world pop, easy listening and bluegrass. Many genres have a rich history or geographical significance, a cult following or music roots that go far beyond the 20th century.
The Music Genres List site covers many of the most popular styles of music, the site is becoming the definitive list of music genres on the Internet – thanks to you – and if you feel any music genres are missing (we’re sure there are many!) please send an email to add @ musicgenreslist dot com and we’ll add to get closer to completing the music list of genres.
And a big thank you to the folks who have already sent in suggestions. We haven’t added them all as some are not easily verified or differentiated from our current list (and we get many music genres suggestions that are duplicates), however all the genres we can research and confirm as valid or derivatives or existing genres or music types, we’ve added and have attributed by way of thanks.
Keep them coming! Take me to the list of music genres below!
LIST OF TYPE OF MUSIC | MUSIC GENRES
- Alternative
- Art Punk
- Alternative Rock
- Britpunk
- College Rock
- Crossover Thrash (thx Kevin G)
- Crust Punk (thx Haug)
- Emotional Hardcore (emo / emocore) – (Thanks Timothy)
- Experimental Rock
- Folk Punk
- Goth / Gothic Rock
- Grunge
- Hardcore Punk
- Hard Rock
- Indie Rock
- Lo-fi (hat tip to Ben Vee Bedlamite)
- Musique Concrète
- New Wave
- Progressive Rock
- Punk
- Shoegaze (with thx to Jackie Herrera)
- Steampunk (with thx to Christopher Schaeffer)
- Blues
- Acoustic Blues
- African Blues
- Blues Rock
- Blues Shouter
- British Blues
- Canadian Blues
- Chicago Blues
- Classic Blues
- Classic Female Blues
- Contemporary Blues
- Contemporary R&B
- Country Blues
- Dark Blues (thx Stephen)
- Delta Blues
- Detroit Blues
- Doom Blues (cheers Stephen)
- Electric Blues
- Folk Blues
- Gospel Blues
- Harmonica Blues
- Hill Country Blues
- Hokum Blues
- Jazz Blues
- Jump Blues
- Kansas City Blues
- Louisiana Blues
- Memphis Blues
- Modern Blues
- New Orlean Blues
- NY Blues
- Piano Blues
- Piedmont Blues
- Punk Blues
- Ragtime Blues (cheers GFS)
- Rhythm Blues
- Soul Blues
- St. Louis Blues
- Soul Blues
- Swamp Blues
- Texas Blues
- Urban Blues
- Vandeville
- West Coast Blues
- Zydeco (thx Naomi McElynn – also under ‘World’ genre)
- Children’s Music
- Lullabies
- Sing-Along
- Stories
- Classical
- Avant-Garde
- Ballet
- Baroque
- Cantata
- Chamber Music
- String Quartet
- Chant
- Choral
- Classical Crossover
- Concerto
- Concerto Grosso
- Contemporary Classical (thx Julien Palliere)
- Early Music
- Expressionist (thx Mr. Palliere)
- High Classical
- Impressionist
- Mass Requiem
- Medieval
- Minimalism
- Modern Composition
- Modern Classical
- Opera
- Oratorio
- Orchestral
- Organum
- Renaissance
- Romantic (early period)
- Romantic (later period)
- Sonata
- Symphonic
- Symphony
- Wedding Music
- Comedy
- Novelty
- Parody Music (Weird Al!)
- Stand-up Comedy
- Vaudeville (cheers Ben Vee Bedlamite)
- Commercial (thank you Sheldon Reynolds)
- Jingles
- TV Themes
- Country
- Alternative Country
- Americana
- Australian Country
- Bakersfield Sound
- Bluegrass
- Progressive Bluegrass
- Reactionary Bluegrass
- Blues Country
- Cajun Fiddle Tunes
- Christian Country
- Classic Country
- Close Harmony
- Contemporary Bluegrass
- Contemporary Country
- Country Gospel
- Country Pop (thanks Sarah Johnson)
- Country Rap
- Country Rock
- Country Soul
- Cowboy / Western
- Cowpunk
- Dansband
- Honky Tonk
- Franco-Country
- Gulf and Western
- Hellbilly Music
- Honky Tonk
- Instrumental Country
- Lubbock Sound
- Nashville Sound
- Neotraditional Country
- Outlaw Country
- Progressive
- Psychobilly / Punkabilly
- Red Dirt
- Sertanejo
- Texas County
- Traditional Bluegrass
- Traditional Country
- Truck-Driving Country
- Urban Cowboy
- Western Swing
- Zydeco
- Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-))
- Club / Club Dance (thx Luke Allfree)
- Breakcore
- Breakbeat / Breakstep
- 4-Beat
- Acid Breaks
- Baltimore Club
- Big Beat
- Breakbeat Hardcore
- Broken Beat
- Florida Breaks
- Nu Skool Breaks
- Brostep (cheers Tom Berckley)
- Chillstep (thx Matt)
- Deep House (cheers Venus Pang)
- Dubstep
- Electro House (thx Luke Allfree)
- Electroswing
- Exercise
- Future Garage (thx Ran’dom Haug)
- Garage
- Glitch Hop (cheers Tom Berckley)
- Glitch Pop (thx Ran’dom Haug)
- Grime (thx Ran’dom Haug / Matthew H)
- Hardcore
- Bouncy House
- Bouncy Techno
- Breakcore
- Digital Hardcore
- Doomcore
- Dubstyle
- Gabber
- Happy Hardcore
- Hardstyle
- Jumpstyle
- Makina
- Speedcore
- Terrorcore
- Uk Hardcore
- Hard Dance
- Hi-NRG / Eurodance
- Horrorcore (thx Matt)
- House
- Acid House
- Chicago House
- Deep House
- Diva House
- Dutch House
- Electro House
- Freestyle House
- French House
- Funky House
- Ghetto House
- Hardbag
- Hip House
- Italo House
- Latin House
- Minimal House
- Progressive House
- Rave Music
- Swing House
- Tech HouseTribal House
- UK Hard House
- US Garage
- Vocal House
- Jackin House (with thx to Jermaine Benjamin Dale Bruce)
- Jungle / Drum’n’bass
- Liquid Dub(thx Ran’dom Haug)
- Regstep (thanks to ‘Melia G)
- Speedcore (cheers Matt)
- Techno
- Acid Techno
- Detroit Techno
- Free Tekno
- Ghettotech
- Minimal
- Nortec
- Schranz
- Techno-Dnb
- Technopop
- Tecno Brega
- Toytown Techno
- Trance
- Acid Trance
- Classic Trance
- Dream Trance
- Goa Trance
- Dark Psytrance
- Full on
- Psybreaks
- Psyprog
- Suomisaundi
- Hard Trance
- Tech Trance
- Uplifting Trance
- Orchestral Uplifting
- Vocal Trance
- Trap (thx Luke Allfree)
- Easy Listening
- Background
- Bop
- Elevator
- Furniture
- Lounge
- Middle of the Road
- Swing
- Electronic
- 2-Step (thx Ran’dom Haug)
- 8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
- Ambient
- Ambient Dub
- Ambient House
- Ambient Techno
- Dark Ambient
- Drone Music
- Illbient
- Isolationism
- Lowercase
- Asian Underground
- Bassline (thx Leon Oliver)
- Chillwave(thx Ran’dom Haug)
- Chiptune (kudos to Dominik Landahl)
- Bitpop
- Game Boy
- Nintendocore
- Video Game Music
- Yorkshire Bleeps and Bass
- Crunk (with thx to Jillian Edwards)
- Downtempo
- Acid Jazz
- Balearic Beat
- Chill Out
- Dub Music
- Dubtronica
- Ethnic Electronica
- Moombahton
- Nu Jazz
- Trip Hop
- Drum & Bass (thx Luke Allfree)
- Darkcore
- Darkstep
- Drumfunk
- Drumstep
- Hardstep
- Intelligent Drum and Bass
- Jump-Up
- Liquid Funk
- Neurofunk
- Oldschool Jungle:
- Darkside Jungle
- Ragga Jungle
- Raggacore
- Sambass
- Techstep
- Electro
- Crunk
- Electro Backbeat
- Electro-Grime
- Electropop
- Electro-swing (thank you Daniel Forthofer)
- Electroacoustic
- Acousmatic Music
- Computer Music
- Electroacoustic Improvisation
- Field Recording
- Live Coding
- Live Electronics
- Soundscape Composition
- Tape Music
- Electronica
- Berlin School
- Chillwave
- Electronic Art Music
- Electronic Dance Music
- Folktronica
- Freestyle Music
- Glitch
- Idm
- Laptronica
- Skweee
- Sound Art
- Synthcore
- Electronic Rock
- Alternative Dance
- Baggy
- Madchester
- Dance-Punk
- Dance-Rock
- Dark Wave
- Electroclash
- Electronicore
- Electropunk
- Ethereal Wave
- Indietronica
- New Rave
- Space Rock
- Synthpop
- Synthpunk
- Alternative Dance
- Eurodance
- Bubblegum Dance
- Italo Dance
- Turbofolk
- Hardstyle (kudos to Dominik Landahl)
- Hi-Nrg
- Eurobeat
- Hard Nrg
- New Beat
- IDM/Experimental
- Industrial
- Trip Hop (thank you Michael Tait Tafoya)
- UK Garage
- 2-Step
- 4×4
- Bassline
- Grime
- Speed Garage
- Folk Music (also under various other categories)
- American Folk Revival
- Anti-Folk
- British Folk Revival
- Contemporary Folk
- Filk Music
- Freak Folk
- Indie Folk
- Industrial Folk
- Neofolk
- Progressive Folk
- Psychedelic Folk
- Sung Poetry
- Techno-Folk
- Hip-Hop/Rap
- Alternative Rap
- Avant-Garde
- Bounce
- Chap Hop
- Christian Hip Hop
- Conscious Hip Hop
- Country-Rap
- Crunkcore
- Cumbia Rap
- Dirty South
- East Coast
- Brick City Club
- Hardcore Hip Hop
- Mafioso Rap
- New Jersey Hip Hop
- Freestyle Rap
- G-Funk
- Gangsta Rap
- Golden Age
- Hardcore Rap
- Hip-Hop
- Hip Pop
- Hyphy
- Industrial Hip Hop
- Instrumental Hip Hop
- Jazz Rap
- Latin Rap
- Low Bap
- Lyrical Hip Hop
- Merenrap
- Midwest Hip Hop
- Chicago Hip Hop
- Detroit Hip Hop
- Horrorcore
- St. Louis Hip Hop
- Twin Cities Hip Hop
- Motswako
- Nerdcore
- New Jack Swing
- New School Hip Hop
- Old School Rap
- Rap
- Turntablism (thank you Luke Allfree)
- Underground Rap
- West Coast Rap
- Holiday
- Chanukah
- Christmas
- Christmas: Children’s
- Christmas: Classic
- Christmas: Classical
- Christmas: Comedy
- Christmas: Jazz
- Christmas: Modern
- Christmas: Pop
- Christmas: R&B
- Christmas: Religious
- Christmas: Rock
- Easter
- Halloween
- Holiday: Other
- Thanksgiving
- Industrial
- Aggrotech
- Coldwave
- Cybergrind
- Dark Electro
- Death Industrial
- Electro-Industrial
- Electronic Body Music
- Futurepop
- Industrial Metal
- Neue Deutsche Härte
- Industrial Rock
- Noise
- Japanoise
- Power Electronics
- Power Noise
- Witch House
- Inspirational – Christian & Gospel
- CCM
- Christian Metal
- Christian Pop
- Christian Rap
- Christian Rock
- Classic Christian
- Contemporary Gospel
- Gospel
- Christian & Gospel
- Praise & Worship
- Qawwali (with thx to Jillian Edwards)
- Southern Gospel
- Traditional Gospel
- Instrumental
- March (Marching Band)
- J-Pop (also under ‘Asian’)
- J-Rock
- J-Synth
- J-Ska
- J-Punk
- Jazz
- Acid Jazz (with thx to Hunter Nelson)
- Avant-Garde Jazz
- Bebop (thx Mwinogo1)
- Big Band
- Blue Note (with thx to Jillian Edwards)
- Contemporary Jazz
- Cool
- Crossover Jazz
- Dixieland
- Ethio-jazz (with thx to Jillian Edwards)
- Fusion
- Gypsy Jazz (kudos to Mike Tait Tafoya)
- Hard Bop
- Latin Jazz
- Mainstream Jazz
- Ragtime
- Smooth Jazz
- Trad Jazz
- Third Stream (cheers Benjamin Jackson-Reynolds)
- Jazz-Funk
- Free Jazz
- Modal Jazz
- Latin
- Alternativo & Rock Latino
- Argentine tango (gracias P. Moth & Sandra Sanders)
- Bachata
- Baithak Gana
- Baladas y Boleros
- Bolero
- Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
- Brazilian
- Axé
- Bossa Nova
- Brazilian Rock
- Brega
- Choro
- Forró
- Frevo
- Funk Carioca
- Lambada
- Maracatu
- Música Popular Brasileira
- Música Sertaneja
- Pagode
- Samba
- Samba Rock
- Tecnobrega
- Tropicalia
- Zouk-Lambada
- Chicha
- Criolla
- Contemporary Latin
- Cumbia (gracias Richard Kemp)
- Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
- Huayno
- Latin Jazz
- Mariachi
- Merengue Típico (thank you Jeff Ortiz)
- Nuevo Flamenco (and again Michael Tafoya)
- Pop Latino
- Portuguese fado (and again Sandra Sanders)
- Punta
- Punta Rock
- Ranchera
- Raíces
- Raison
- Reggaeton y Hip-Hop
- Regional Mexicano
- Salsa y Tropical
- Soca
- Son
- Tejano
- Timba
- Twoubadou
- Zouk
- Metal (with massive thanks to Mich Weber)
- Heavy Metal
- Speed Metal
- Thrash Metal
- Power Metal
- Death Metal
- Black Metall
- Pagan Metal
- Viking Metal
- Folk Metal
- Symphonic Metal
- Gothic Metal
- Glam Metal
- Hair Metal
- Doom Metal
- Groove Metal
- Industrial Metal
- Modern Metal
- Neoclassical Metal
- New Wave Of British Heavy Metal
- Post Metal
- Progressive Metal
- Avantgarde Metal
- Sludge
- Djent
- Drone
- Kawaii Metal
- Pirate Metal
- Nu Metal
- Neue Deutsche Härte
- Math Metal
- Crossover
- Grindcore
- Hardcore
- Metalcore
- Deathcore
- Post Hardcore
- Mathcore
- New Age
- Environmental
- Healing
- Meditation
- Nature
- Relaxation
- Travel
- Pop
- Adult Contemporary
- Arab Pop
- Baroque
- Britpop
- Bubblegum Pop (thx Haug & John Maher)
- Chamber Pop (thx Haug)
- Chanson
- Christian Pop
- Classical Crossover
- Europop
- Austropop
- Balkan Pop
- French Pop
- Latin Pop
- Laïkó
- Nederpop
- Russian Pop
- Dance Pop
- Dream Pop (thx Haug)
- Electro Pop (thx Haug)
- Iranian Pop
- Jangle Pop
- Latin Ballad
- Levenslied
- Louisiana Swamp Pop
- Mexican Pop
- Motorpop
- New Romanticism
- Orchestral Pop (thx Haug)
- Pop Rap
- Popera
- Pop/Rock
- Pop Punk (thx Makenzie)
- Power Pop (thx Haug)
- Psychedelic Pop
- Schlager
- Soft Rock
- Sophisti-Pop
- Space Age Pop
- Sunshine Pop
- Surf Pop
- Synthpop (thx Haug)
- Teen Pop
- Traditional Pop Music
- Turkish Pop
- Vispop
- Wonky Pop
- Post-Disco
- Boogie
- Dance-pop
- Progressive
- Progressive House / Trance
- Disco House
- Dream House
- Space House
- Japanese House
- Bounce / Scouse House
- Progressive Breaks
- Progressive Drum & Bass
- Progressive Techno
- Progressive House / Trance
- R&B/Soul
- Contemporary R&B
- Disco (not a top level genre Sheldon Reynolds!)
- Doo Wop
- Funk
- Modern Soul (Cheers Nik)
- Motown
- Neo-Soul
- Northern Soul (Cheers Nik & John Maher)
- Psychedelic Soul (thank you John Maher)
- Quiet Storm
- Soul
- Soul Blues (Cheers Nik)
- Southern Soul (Cheers Nik)
- Reggae
- 2-Tone (thx GFS)
- Dancehall
- Dub
- Roots Reggae
- Reggae Fusion
- Reggae en Español
- Spanish Reggae
- Reggae 110
- Reggae Bultrón
- Romantic Flow
- Lovers Rock
- Raggamuffin
- Ragga
- Dancehall
- Ska
- 2 Tone
- Dub
- Rocksteady
- Rock
- Acid Rock (with thanks to Alex Antonio)
- Adult-Oriented Rock (thanks to John Maher)
- Afro Punk
- Adult Alternative
- Alternative Rock (thx Caleb Browning)
- American Traditional Rock
- Anatolian Rock
- Arena Rock
- Art Rock
- Blues-Rock
- British Invasion
- Cock Rock
- Death Metal / Black Metal
- Doom Metal (thx Kevin G)
- Glam Rock
- Gothic Metal (fits here Sam DeRenzis – thx)
- Grind Core
- Hair Metal
- Hard Rock
- Math Metal (cheers Kevin)
- Math Rock (thx Ran’dom Haug)
- Metal
- Metal Core (thx Ran’dom Haug)
- Noise Rock (genre – Japanoise – thx Dominik Landahl)
- Jam Bands
- Post Punk (thx Ben Vee Bedlamite)
- Prog-Rock/Art Rock
- Progressive Metal (thx Ran’dom Haug)
- Psychedelic
- Rock & Roll
- Rockabilly (it’s here Mark Murdock!)
- Roots Rock
- Singer/Songwriter
- Southern Rock
- Spazzcore (thx Haug)
- Stoner Metal (duuuude)
- Surf
- Technical Death Metal (cheers Pierre)
- Tex-Mex
- Thrash Metal (thanks to Pierre A)
- Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
- Trip-hop (Ta Will)
- Singer/Songwriter
- Alternative Folk
- Contemporary Folk
- Contemporary Singer/Songwriter
- Indie Folk (with thanks to Andrew Barrett)
- Folk-Rock
- Love Song (Chanson – merci Marcel Borchert)
- New Acoustic
- Traditional Folk
- Soundtrack
- Foreign Cinema
- Movie Soundtrack (thanks Julien)
- Musicals
- Original Score
- Soundtrack
- TV Soundtrack
- Tex-Mex / Tejano (with thx to Israel Lopez)
- Chicano
- Classic
- Conjunto
- Conjunto Progressive
- New Mex
- Tex-Mex
- Vocal
- A cappella (with kudos to Sheldon Reynolds)
- Barbershop (with thx to Kelly Chism)
- Cantique (sacred vocal)
- Doo-wop (with thx to Bradley Thompson)
- Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
- Standards
- Traditional Pop
- Vocal Jazz
- Vocal Pop
- World
- Africa
- African Heavy Metal
- African Hip Hop
- Afro-Beat
- Afro-Pop
- Apala
- Benga
- Bikutsi
- Bongo Flava
- Cape Jazz
- Chimurenga
- Coupé-Décalé
- Fuji Music
- Genge
- Highlife
- Hiplife
- Isicathamiya
- Jit
- Jùjú
- Kapuka
- Kizomba
- Kuduro
- Kwaito
- Kwela
- Makossa
- Maloya
- Marrabenta
- Mbalax
- Mbaqanga
- Mbube
- Morna
- Museve
- Palm-Wine
- Raï
- Sakara
- Sega
- Seggae
- Semba
- Soukous
- Taarab
- Zouglou
- Asia
- Anison
- C-Pop
- Cantopop
- Enka
- Hong Kong English Pop
- Fann At-Tanbura
- Fijiri
- J-Pop
- Japanese Pop
- K-Pop
- Khaliji
- Kayōkyoku
- Korean Pop
- Liwa
- Mandopop
- Onkyokei
- Taiwanese Pop
- Sawt
- Australia
- Cajun
- Calypso (thx Gerald John)
- Caribbean
- Chutney
- Chutney Soca
- Compas
- Mambo
- Merengue
- Méringue
- Carnatic (Karnataka Sanghetha – thx Abhijith)
- Celtic
- Celtic Folk
- Contemporary Celtic
- Coupé-décalé (thx Samy) – Congo
- Dangdut (thank you Achmad Ivanny)
- Drinking Songs
- Drone (with thx to Robert Conrod)
- Europe
- France
- Hawaii
- Japan
- Klezmer
- Mbalax (thank you Samy) – Senegal
- Middle East
- North America
- Ode (thank you Sheldon Reynolds)
- Piphat (cheers Samy B) – Thailand
- Polka
- Soca (thx Gerald John)
- South Africa
- South America
- South / Southeast Asia
- Baila
- Bhangra
- Bhojpuri
- Dangdut
- Filmi
- Indian Pop
- Hindustani (thank you Abhijith)
- Indian Ghazal (thank you Gitika Thakur)
- Lavani
- Luk Thung
- Luk Krung
- Manila Sound
- Morlam
- Pinoy Pop
- Pop Sunda
- Ragini
- Thai Pop
- Traditional Celtic
- Worldbeat
- Zydeco
- Africa
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Different types of music genres
2009-2019 Music Genres List
Thank you for over 10 years of musical genre shenanigans!